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Ferdinand Raimund and Johann Nepomuk Nestroy Magic Farce
Kocmanová, Natalie ; Tvrdík, Milan (advisor) ; Zbytovský, Štěpán (referee)
6 Abstract This essay's primary focus is on the phenomenon of "magic farce" within the works of Ferdinand Raimund and Johann Nepomuk Nestroy, its essence, main establishment conditions and its motifs on the background of the Viennese popular theater, the Biedermeier idyll and Vormärz. With respect to purpose of this essay, selected works of both authors are introduced and are afterwards the subject of analysis: Raimund's Der Barometermacher auf der Zauberinsel and Nestroys Der böse Geist Lumpazivagabundus oder das liederliche Kleeblatt, Freiheit in Krähwinkel and Höllenangst. The framework of the analysis is the historical and biographical context; notably the phenomenon of censorship and its impacts on artistic production of both Raimund and Nestroy. This essay also comprises important biographical aspects in relation to the transformation of the artistic approach of the authors in later years. Keywords Magic farce, farce, Besserungsstück, Viennese popular theater, Ferdinand Raimund, Johann Nepomuk Nestroy, Biedermeier and Viennese Vormärz
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Utopia in the Works of Adalbert Stifter
Smetana, Jiří ; Tvrdík, Milan (advisor) ; Weinberg, Manfred (referee)
Name of the author: Jiří Smetana Name of the MA thesis: Utopia in the Works of Adalbert Stifter University: Charles University in Prague Faculty: Faculty of Arts Department: Institute of the Germanic Studies Supervisor: Doc. PhDr. Milan Tvrdík, CSc. Place and date of publishing: Prague, March 2011 The subject of the present work is Adalbert Stifter's utopia. The aim is to outline its main essence and in part describe the motives that had led Stifter to his utopia. The work describes the artistic, political and social background of the Biedermeier era and approximates Stifter as its principal representative in Austrian literature. Adalbert Stifter's talent was versatile; he had affection for nature and art. Art was one of his most faithful friends. Stifter's Biedermeier literary works are original and in a certain sense possess great depth. For every opinion in these works is put down rationally. In this regard we would be hard pressed to find selfcontent in Stifter's late work. This opinion is also shared by the Austrian writer Peter Rosegger, who regards Adalbert Stifter higher than Johann Wolfgang Goethe for this very reason. As Rosegger rightly states, Stifter's style is also very original.1 This work takes note of the utopian features in some of Stifter's short stories and in his educational...
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The Encounters of Love and Nature in the Lyric Poetry of Eduard Mörike
Dvořáková, Tereza ; Broukalová, Jindra (advisor) ; Bučková, Tamara (referee)
This diploma thesis explores the lyrical poetry of Eduard Mörike (1804-1875), a German poet. The topic of the thesis is theencountering of nature and love in his works. This poet, less known in the Czech context, wrote various kinds of poems, which deserve attention. The thesis is divided in two parts, theoretical and interpretative. In the first part, the thesis focuses on giving an overall context (I deal with a historical context, literary epochs, during which Eduard Mörike wrote, his personality and general introduction in lyrical poetry). The second part of my thesis aims to interpret selected poems, which are divided bytheir themes: romantic love, the morning, wayfaring, the forest and the so-called "Dinggedichte," or poems focusing on understanding and appreciation of a single item. In each poem, a mood or feeling that characterizes the poem is described, who is the speaker within the poem, and which topics of love and nature can be observed. From the perspective of form, I analyze the rhyme scheme. The analysis of each thematic group also contains a comparation of the poems. The interpretational part aims to connect and evaluate the interweaving of love and nature in the poetic works of Eduard Mörike and touch upon the deeper meaning of the poems. Its aim is also to make the selected works...
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Biographical and literary connection of Božena Němcová in Polná
KAPLANOVÁ, Kamila
The bachelor thesis is focused on the life of Božena Němcova in the city of Polna. The aim of the bachelor thesis is to explain why the family of Božena Němcová moved to the city of Polna. A profile of region of Polna is added to the thesis. Moreover, the sociocultural life of the time of Bozena Nemcova is compared with sociocultural life of nowadays. The main aim of the thesis is the classification and explanation of biographical data. These data are accessible due to primary and secondary specialized literature. Evaluation of a private life of the family of Bozena Nemcova enlarges the thesis. The thesis also focuses on the persona of Michael Florian whose work is consisted of six pieces of xylographs. These xylographs are connected to the life of Bozena Nemcova. Interpretative analysis of literary texts is significant because of reflecting life of Bozena Nemcova in the city of Polna. A mention of a statue of Nemcova is a very topical issue thanks to revealing in June 2017. The whole thesis is a drawn up contribution to local literary-historical research.
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Ferdinand Raimund and Johann Nepomuk Nestroy Magic Farce
Kocmanová, Natalie ; Tvrdík, Milan (advisor) ; Zbytovský, Štěpán (referee)
6 Abstract This essay's primary focus is on the phenomenon of "magic farce" within the works of Ferdinand Raimund and Johann Nepomuk Nestroy, its essence, main establishment conditions and its motifs on the background of the Viennese popular theater, the Biedermeier idyll and Vormärz. With respect to purpose of this essay, selected works of both authors are introduced and are afterwards the subject of analysis: Raimund's Der Barometermacher auf der Zauberinsel and Nestroys Der böse Geist Lumpazivagabundus oder das liederliche Kleeblatt, Freiheit in Krähwinkel and Höllenangst. The framework of the analysis is the historical and biographical context; notably the phenomenon of censorship and its impacts on artistic production of both Raimund and Nestroy. This essay also comprises important biographical aspects in relation to the transformation of the artistic approach of the authors in later years. Keywords Magic farce, farce, Besserungsstück, Viennese popular theater, Ferdinand Raimund, Johann Nepomuk Nestroy, Biedermeier and Viennese Vormärz
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Song Where Is My Home?
Hybner, Otakar ; Brožová, Věra (advisor) ; Mocná, Dagmar (referee)
This bachelor thesis deals with the origin and changes of the song Where Is My Home? written by Škroup and Tyl which became a national anthem. Its musical and textual form is interpreted with concern to its historical contexts. The thesis follows the fate of the song till nowadays and it deals with its contemporary paraphrases as well. The question for reasons that made Where Is My Home? the national anthem is being put continuously thorough the text. It is therefore necessary to pay our attention to different sources of inspiration for both authors. Keywords: Anthem, Czech, Tyl, Škroup, idyl, pastoral.
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Morally educational stories of M. D. Rettigová and Marie Antonie as a part of czech biedermeier culture.
Schwabová, Tereza ; Brožová, Věra (advisor) ; Petrbok, Václav (referee)
Morally educational stories of M. D. Rettigová and Marie Antonie as a part of czech biedermeier culture. This thesis researches educational literary output of 2 eminent authors, Magdalena Dobromila Rettigova and nun Marie Antonie (civil name Josefa Pedalova). Both of them are considered to be first czech patriotic female authors, despite the fact that Marie Antonie's name (writing under a pseudonym of Dobrovlastka) was almost erased from history of czech literature because of the strong catholic orientation in her writings. Their works are focusing on upbringing of period girl and with tendency to sentimentalism they are representing one of the most important artistic aspect of newly forming czech biedermeier.
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